In July of 2020 I attended a carving class conducted by Dave Stetson of Scottsdale, Arizona. Dave is a founding member of the Caricature Carvers of America. I have taken three Zoom classes with Dave and have learned a lot. I recommend Dave’s classes either in person or on Zoom. Dave offers a wealth of information on design, including human anatomy, carving techniques and painting. He has been teaching for many years and is genuinely concerned for the student’s comprehension and learning experience.
This class was based on a woodcarving roughout developed by Dave. Not all of Dave’s classes use roughouts. Depending on the subject, and the level of difficulty, a single block of basswood may be the only requirement. A roughout will reduce the amount of wood removal and therefore reduce the time required to complete the project. This class required 12 hours of instruction time. That time was divided into six two hour sessions. Painting the completed project was included. Because the class was held via Zoom, students could ask questions during the sessions. The other advantage for the student was each session is recorded and was available for review after the class. Dave also encouraged students to email pictures of problem areas so he could offer advice before the next session.
I am including several photos of my project showing my progress.The total height of the figure and base is eleven and a half inches (29.5cm). The design included enough wood for options to place Santa’s hat on his head or in his left hand. Santa’s right hand was designed to hold a walking staff to be carved separately.
On August 24th, 25th and 26th of 2018 I attended my 10th Caricature Carvers of America class in Converse, Indiana. This annual event is hosted by the local club, the Eastern Woodlands Carving Club and is held in the building owned by the club. The students are divided into three groups of 13. Each group spends one day with each of the three instructors. The venue is ideal for the event and lunch is provided by the EWCC members. This year’s instructors were Dennis Thornton, Ron Dowdy and Jim Hiser, all CCA members of course. All of the projects were from basswood roughouts designed by the instructor. I was able to complete my projects and paint them after returning home.
Several people have offered painting tips on Facebook so I thought I would expand the tip about a holding device. A handle can be used to hold a small carving while carving and/or painting. Some have suggested carving a handle-shaped stick or some other form for ease in holding a carving. I found some cheap tool handles that were probably meant for files or replacement screwdriver handles. Flea markets and yard sales are good for these items. I cut the heads from drywall screws and other assorted self drilling screws. I made sure each one would fit in the pre-drilled handle hole and used epoxy glue to set a screw in each handle. If the hole is larger than needed, you will have to support the screw so it remains in line with the handle until the glue sets up. That’s not a big deal but it will be a better experience using the handle if you can easily screw it into the carving.
Using different sized screws is not necessary but can be helpful if you have a small base on your carving and a large screw will cause the wood to split.
I happened to have a big chunk of pine, 3.5″ X 3.5″ X 21″ (90mm X 90mm X 533mm), that had seven holes conveniently drilled so I could use my handles. Each hole also had a pilot-hole in the bottom. This allows me to invert the handles for storage when they’re not in use.
I took a class with CCA member Tom Wolfe where painting was part of the instruction. Tom used the same concept but instead of a heavy chunk of pine, he had a short log with angled chainsaw cuts to form a rough dome shaped top so it looked like a stump. That allowed holes to be drilled at angles around the top. I don’t remember how many holes were in his base. If I have carvings that cause my base to tip, I add a clamp at the bottom to increase the size of it’s footprint.
These are pictures of my class projects from the Woodcarvers Roundup held in Lebanon, Tennessee, March 2016. Each of the five week-days was a different project with a new instructor. The projects were all done from basswood (linden) rough-outs. The instructors provided an assortment of their own designs so we could choose a project that suited our carving experience level. There were 60 students with 12 in each class. The instructor’s names are shown in the caption.