Knives designed by Mertz

Don Mertz, a member of the Caricature Carvers of America, has a history of collaboration with the Helvie Knife company. Over the years they have produced a successful line of custom knives that suit Don’s whittlecarving style. Don’s work can be viewed at WoodBeeCarver.com. I own several of those knives but since the blade style was different from the one I use, I’ve delayed giving his a try. The other day I decided to see what I could or could not do. The pictures show the project I chose and the knives I used. They are in Don’s Signature series as numbers 2, 4 and 6. There are many more knife choices on the Helvie site. I did not succumb to the urge to grab my usual knife and a gouge or two because this was a whittlecarving challenge.

I thought a reasonable challenge would be a project offered by Dave Stetson, also a CCA member. It was in the Summer issue 2015 of Woodcarving Illustrated magazine. Dave’s advice is to make no cuts that would leave flat surfaces or sharp shadows. In other words, a soft smooth appearance. I, like Dave, would normally use gouges to achieve that look. My results were not exactly like Dave’s, but then I have trouble matching his results using the tools he recommends. I’m still reasonably happy with my result. I’m not ready to toss my straight edge knives but I know I have more options if the circumstances need the Mertz touch.

I used a block of Basswood one and a half inches square (38mm) by 3 inches long (76mm). I used Howard’s Feed n’ Wax as a finish on the raw wood.

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Carved Thread Spools

Most of the work on the Wizard was done with a carving knife. Some early roughing out was done with a gouge. I want to thank Don Mertz for his carvings that were the inspiration for this Wizard.

This is supposed to be a hobbit. Most of the work was done with a knife. This guy was also inspired by the carvings of Don Mertz.

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These guys preceded the Hobbit and Wizard. I figured if I could do these guys, I could do more detail.

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I use a product called Howard’s Feed n’ Wax to protect the carving. It’s in liquid form and is applied directly to the wood with a small plastic paintbrush like you might find in a child’s paint box. I let the wax dry several hours and wipe the excess off with a cloth. I use a clean brush to remove wax deposits in deep spots not removed by the cloth.